|
By Atom Smasher
(AGR)-- Julius Caesar had a problem. He needed to communicate
with his troops, but if his enemies got a hold of his plans, it would
have been disastrous for him. What he did was substitute every letter
a in his message with d, every b
would be substituted with e, etc. If his enemy intercepted
his messages, they would not be able to read it. The solution might
seem obvious today, but back then this stuff was high-tech. His generals
in the field knew the key to decipher these messages, by
shifting each letter 3 places.
Fast forward a few thousand years, and that type of cipher can be cracked
by an average 10-year-old. Today, we need to do better.
There are two kinds of cryptography in this world: cryptography
that will stop your kid sister from reading your files, and cryptography
that will stop major governments from reading your files, says
Bruce Schneier of Applied Cryptography.
As we can see, encryption technology that used to stand up against major
governments can now fall to your kid sister. Our problem today isnt
different from Caesars problem (how to send secure communications
using insecure channels), but our solution has to be better. Imagine
that I have a magic paper shredder. Like any paper shredder, I can shred
my note and make it very difficult (and time consuming) for anyone to
read it. But this paper shredder is magic, and after I send you all
of the pieces of that shredded message, you can just whisper your secret
password and all of those shredded pieces turn themselves back into
the original note. PGP (Pretty Good Privacy) is just like that magic
shredder; it can provide the security that we need to keep our secret
communications secret. So, how good is pretty good? If properly
used and implemented, a message encrypted with PGP should be safe from
big brother for about 30 years:
Thats if they want to spend 30 years trying to read it. If thats
not secure enough, you can use larger keys (think of shredding the paper
into smaller pieces), and the earth will likely crash into the sun before
big brother reads the message. By that time, the message will probably
not be important to anyone. Of course, the person that the message is
sent to can always read it within a few seconds.
Now, theres the possibility that some government agency can crack
the messages faster than that, but if they can they havent told
me about it. Cracking an encrypted message should be expensive,
in terms of time and other resources. If someone wants to reassemble
the pieces of paper that my magic shredder spits out, theyll have
to figure out how the pieces fit together: The smaller the pieces, the
more resources (and time) they have to commit to the problem.
Its generally believed within the cryptographic community that
if big brother wants to read a single message, he probably can (although
theres no consensus of how long that would take), but if he wants
to read all of the encrypted messages, he simply cant. This is
very different from regular email, where messages can be scanned, copied,
analyzed, sorted and searched for subversive key words as fast as the
messages are sent. For this reason, its a matter of solidarity
that activists use PGP not only when we need it, but also when we dont.
If someone wants to read your encrypted email, it greatly frustrates
their efforts if they spend 30 years cracking a message, and then find
out that theyve uncovered a note about what bands are playing
tonight, instead of a message about who is organizing a direct action.
PGP also solves problems of key distribution and authentication, but
well talk more about that some other time.
How much does PGP cost? There are (at least) two free versions, one
(MIT-PGP) from MIT; the other (GnuPG) from the Free Software Foundation.
For links and more resources, see my web site, below.
If you have any questions youd like to ask, youll find my
contact information at http://atom.smasher.org/ or you can send questions
to editors@agrnews.org My PGP fingerprint is:
3EBE 2810 30AE 601D 54B2 4A90 9C28 0BBF 3D7D 41E3
AIDS concert reaches two billion audience
By Fred Bridgeland and James Burleigh
Nov. 30 The worlds biggest internet charity event
got under way in Cape Town last night with musicians including Peter
Gabriel and Annie Lennox backing the anti-AIDS campaign sponsored by
Nelson Mandela.
The 46664 concert, named after Mandelas prison number on Robben
Island, which is within sight of Cape Towns Green Point Stadium,
was streamed live on the internet, with service providers hosting the
netcast free in Britain and 14 other countries. It was also shown on
BBCi, MTV online and RealNetworks, with the organizers aiming to reach
2 billion people; 40,000 watched it live.
Ive just come from an orphanage where I held a beautiful
little girl called Emma in my arms and shes going to die [from
AIDS] because its too late to administer the drugs that could
have prolonged her life.
The first act was Beyoncé, who sang her hit single Crazy
in Love. She was followed by Bob Geldof, who organized the Live
Aid concerts for Ethiopia in 1985, who said: AIDS has ceased to
be something to be ashamed of its just another medical condition,
but if the condition is medical the solution is political.
Since leaving office, Mandela has thrown himself into the campaign against
AIDS, admitting that he did not do enough to tackle the problem when
he was president. Some 5.3 million South Africans are HIV-positive,
more than in any other country, but the government has only just agreed
to release funds for antiretroviral drugs, mainly due to the opposition
of Mandelas successor, Thabo Mbeki, who long disputed the connection
between HIV and AIDS.
The 46664 concert will raise funds through donations as well as downloadable
versions of last nights songs, many of which had been written
for the occasion. People in 17 countries could call a premium-rate line
to hear a celebrity message and unreleased songs. Callers were logged
as having given their support to a petition calling on governments to
declare a global AIDS emergency, and a portion of the cost of the phone
call went to the 46664 campaign and the Nelson Mandela Foundation.
Mandela revisited Robben Island on Friday and said it would take greater
unity and effort to conquer the disease than it took to tear down apartheid.
Im speechless, said Annie Lennox, who wore a T-shirt
reading 17 million AIDS dead. I saw a vision of hell
where Mandela and his fellow inmates were kept. To sacrifice his life
and still come out to fight AIDS, its incredible.
The concert was screened globally by MTV on World AIDS Day, Dec. 1.
Source: Independent (UK)
New Album from Dead Prez
By Kent
(AGR)-- At the beginning and end we are reminded that this is
only a mix tape, and that a new official album Revolutionary
But Gangsta is still on the way. Instead of being that official
DP album, we get the Mix Tape Volume Two by the RBG family. Sticman
and M1 are strangely absent from at least half the songs. Instead, DP
uses their stardom to bring attention to a new group of emcees and producers
who, until now, have never had any major releases, with the exception
of Onyx.
Mix Tape Volume Two follows last years release of the first
mix tape, a rough, poorly produced masterpiece. It was musically accessible
to a broader hip hop audience, ganking familiar beats from the more
mainstream and using loud AK-47 rounds to fade from track to track.
They seemed to laugh in the face of all the Nellys and 50 Cent
corporate whores with their catchy rhymes and revolutionary flows. Sadly
this isnt continued on the Vol. 2, nor does it even seem like
the same group that brought us the hot jams of Lets Get Free.
Sadly, the tracks on the mix tape are musically weak, with a few exceptions
like Fuck The Law and Window To My Soul. With
the emergence of the RBG family on this mix tape, one emcee in particular,
the recently incarcerated Askari X featured in Scared to Die
comes out strong. While Onyx references the anarchist cookbook in Last
Days Reloaded, they fail to really say anything relevant with
the exception of a few buzzwords here and there, barely allowing Dead
Prez to squeeze in a few lines of revolutionary wisdom.
This album doesnt fail to tokenize females either: in the intro,
a woman is heard only in the kitchen cooking, and the further objectification
of women in Coming Of Age can be heard only minutes later.
But at the same time it is condemned, most of the album is expressed
in a past-tense reminiscent of the old school days. It is with this
that it becomes blurry and confusing as to what Dead Prezs present
ideologies are. A sexist tone is taken but never entirely grabs a hold,
and many of the songs seem all too often to be in the glitzy mainstream
state of mind that has dominated hip-hop today. It should also be pointed
out that this album lacks women emcees and producers.
Many recent reviews have recognized that there is a bit of a prejudice
against white people in some of the lyrics. This is justifiable to me
seeing as how, as Dead Prez puts it, the Chemical warfare (drugs)
in the black neighborhoods and the land grabbing (gentrification)
which takes place are both examples of systematic disempowerment by
the ruling white class.
I dont necessarily believe that Sticman, M1, or the RBG family
really give a fuck about how I feel about their music or lyrics. What
middle class white folk should understand is that this isnt about
appealing to us for once. The truth is this album is for and by oppressed
Africans who are in a constant struggle to survive. This is a community
revolution in progress says M1 in the hood news. Above
all, this is an outreach to all those being crushed trying to stay afloat
in this racist capitalist system.
Broken Word
By Gabe Johnson
(AGR) -- I am sitting in a nearly empty sushi bar late on a Tuesday
evening, listening to a DJ spin standard breakbeats or some such electronic
music that seems only to catch my ear because of the sheer volume of it.
I am waiting for Graham Hackett of the ARTS2PEOPLE organization that is
organizing the ACLU sponsored RANT & RAVE event scheduled for December
12th at the ACRC. I find myself wondering how a poetry reading will be
able to draw people into the ACRC with the $10 cover charge ($8 for students)
set for the evenings event. Other spoken word and poetry events
around town are usually free and I find it hard to believe that anyone
would pay this amount to see this kind of performance.
I immediately begin to change my mind when Graham sits down and hands
me a very professional looking flyer and launches into an explanation
of the event. This is not, he makes clear, going to be your average sequential
poetry reading, nor is this a competitive slam poetry event.
The poets selected for RANT & RAVE are professional poets collaborating
on the single theme of freedom of speech.
Because the poets have been working together on this event, it comes
across more like a production, more like a show, Graham explains.
The doors will open at 8pm and a DJ will spin records for a half hour
to an hour and then the performance will begin, which will last between
an hour and an hour and a half. Afterwards, more DJs, including Blue Spectral
Monkey, DJ Olof, and DJ Raoul Duke, will entertain the masses with blacklight
dance performance by members of Tranceform Venus.
Graham explains to me that he felt poetry was fitting for the theme of
Freedom of Speech because it seems to him that poets have a certain license
to call out instances of infringement upon this right, such as the PATRIOT
Act, and the brutalization of protesters by the police. He cites
sources like Dead Prez and Saul Williams to make his point, but is quick
to add that, We dont want this to be a bitch-fest either.
We want this to be a celebration of the freedoms that we do have and for
people to come and have a good time.
ARTS2POEPLE is a local organization that is responsible for events such
as the LAAF (Lexington Avenue Arts and Fun) fest, which filled lower Lexington
avenue with spectators and performers of all kinds this past Labor Day.
They are also the organizing force behind the Asheville Mural Project
and the Arts Outreach Program at Swannanoa Valley Youth Development Center,
which is a detention center for troubled youth that offers no elective
course in arts other than the volunteer service that ARTS2PEOPLE provides.
What we want to do, Graham notes, is validate the power
of the arts as a transformative force.
To get involved with ARTS2PEOPLE visit their website at www.arts2people.org
or just come out on Friday December 12th, and enjoy the festivities.
Sustainable energy solutions come to Asheville
By Rebecca Sulock
(AGR)-- Even if you drive a car with a gasoline engine, it would
still be a good idea to attend the Biodiesel Workshop this weekend at
Warren Wilson College. Why?
A lot of people have been inspired to buy diesels after taking the
class, said Bennett Finkler, one of the organizers of the workshop.
Meaning that biodiesel is such a good idea, you may just give up the ghost
of your old gas-guzzler and trade it in for a truck you can run on homemade
fuel. If you already have a diesel, get thee to the workshop! Find out
how to salvage waste vegetable oil from restaurants and make fuel out
of it, an economic and environmental boon to your personal transportation.
Provided your personal transportation has an engine.
Theyre good teachers, Finkler said of Rachel Burton
and Leif Forer, the workshops primary instructors. Along with a
handful of others in the North Carolina triangle area, Burton and Forer
have started the Piedmont Biofuels Cooperative, an organization dedicated
to making biodiesel in large quantities and converting vehicles to run
on straight vegetable oil, among other goals.
Burtons alias is Wrenchwench and Forer is known for
undecomplexifying entire designs and situations, according
to the Piedmont Biofuels Coop Web site. The Web site is odd, entertaining
and informative, and by any indication, the workshop will be as well.
The workshop will include lectures on the economics, history and practicality
of biofuels, along with hands-on experience. Is the conversion process
difficult? The difficulty is in transferring the quantities and
measurements to larger batches, said Finkler. But theyve
worked that out, he said.
In addition, Chris Farmer from Earthhaven will speak briefly on wood gasification,
burning wood to produce electricity with minimal emissions,
said Finkler. Farmer will bring together the concepts of wood gasification,
biodiesel, and generator usage.
The location of the workshop will be in Jensen Hall Room 105, on Saturday,
Dec. 6 at 9:30 until 4:30 PM, a slight change from what is listed on the
flier. Jensen Hall is located next to Sunderland Dorm on the campus of
Warren Wilson College in Swannanoa. Signs will be posted directing participants.
Call 669-6970 to register or for more information.
Living with the consequences of US policy
Asheville area presentations of a Nicaragua photo/testimony
project
For more than a century the US has intervened in the political,
economic, and social policies of Nicaragua. Beginning in 1980, the US
supported a proxy army in Nicaragua, called the Contras, to
coerce, intimidate, and force the civilian population to stop supporting
the Sandinista government. During these years Paul Dix and Pam Fitzpatrick
both worked to change US policy toward Nicaragua. Paul was a photographer
in Nicaragua from 1985 to 1990, and Pam was director of the North Pacific
office of Witness for Peace from 1985 to 1993.
Paul Dix played a crucial role in documenting the abuses of the contras
and thus of the policies of the Reagan and Bush administrations. His work
has appeared in such magazines as Time, Esquire, Atlantic, BBC Publications,
Campus Voice, Middle East Report, U.S. News and World Report, Dollars
and Sense, and Earth First. The New York Times, London Daily Mail, Washington
Post, Miami Herald, AP, Reuters, and AFP wire services are only a some
of the newspapers in which his work has been published.
After the deaths of more than 30,000 Nicaraguans during the US-funded
Contra war, the Sandinistas were voted out of office in 1990. They peacefully
turned the government over to the UNO, the coalition of parties supported
by the US government.
Paul and Pam recently returned to Nicaragua where they spent six months
documenting the physical and psychological scars that victims of the contra
war must now endure in their daily lives. They searched the country for
the people Paul had photographed in the 1980s. With uncanny luck and the
gracious help of many Nicaraguans, they succeeded in finding the majority
of the people for whom they were searching.
They will present their photo/testimony project in two locations on Sunday
and Monday, December 7 and 8.
On Sunday, December 7, they will present to the Circle of Mercy congregation,
which meets at All Souls Episcopal Church in Biltmore Village in Asheville,
9 Swan Street, at 7m.
On Monday, December 8, they will present at the Warren Wilson College
Library, McGuire Room, at 7:00 p.m. Both events are open to public and
are free.
|