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Notes from the Southeastern Anarchist
Network gathering
By Luna C. Icarus
Apr. 19 (AGR) Both the students of Guilford College and
the SEAnet hosting collective were extremely enthusiastic about hosting
the Southeast Anarchist Network Gathering, held on Apr. 9-11 in Greensboro,
NC. The purpose of the gathering was to help form a lasting network
for resource sharing and communication while challenging racism, sexism,
classism, homophobia, transphobia and other forms of oppression. To
further this mission they created passion groups, removing
the teacher-student roles of traditional workshops and opting for a
more organic exchange similar to a prearranged conversation.
Upon registration it became apparent we were going to get out of this
gathering as much as we put into it. That evening after a meal provided
by Food Not Bombs, we headed over to locally-owned vegan restaurant,
the Grape Vine. Between talent show acts and the experimental stylings
of Ed Whitfield, local Greensboro group Boxcar Bertha rocked it. All
of their CD sales went to benefit the Gil Barber Justice Fund
to assist families of people injured or killed by police.
Saturdays race and gender caucuses yielded some very positive
tips and tools on how to be a good ally. There was criticism of the
effectiveness of a one-time caucus, but also the encouragement to bring
them back to our own communities. Though numbers were small, especially
from people of color, I believe everyone came out of these forums with
a clearer sense of the work that needs to be done , some tools to work
with, as well as a willingness and deep commitment to becoming better
allies.
The passion groups lists filled at an alarming rate. Groups were
diverse and enthusiastic, ranging from topics like womans self
defense, herbal health, marching bands, polyamory, and police accountability.
By the G-8 discussion, our numbers peaked at around 150 people. A group
from Brunswick, GA reported on the organizing progress, in preparation
for the summit being held on Sea Island, June 8-10. They informed us
of the $11 million already spent on security, and some of the humanitarian
options for involvement with the local community.
For the next hour a lively discussion ensued. The room was about 50/50
divided between mass mobilization or decentralized direct actions in
solidarity, but it was pretty unanimous that a mobilization would be
strictly symbolic with no opportunity for real action and little to
no real media coverage.
Food Not Bombs served another dinner, and everyone headed back to the
Grape Vine for another show and more festivities. Asheville local bands
Kakistocracy and Descalada played inside while outside people danced,
beat on plastic drums, and shared stories with their new friends.
Sunday morning breakfast was served, contact information exchanged,
and travel plans made, as people started to filter out. A check-in meeting
was held to discuss future gatherings and what people got out of the
weekend. I left with several new friends, a handful of new projects
and ideas and the knowing that most of what I got out of this weekend
was what I had put into it.
Bernardo Bertoluccis The Dreamers
By Josh Sykes
Apr. 18 Barricades are in the streets and revolution
is in the air, and yet Bernardo Bertoluccis (Before the Revolution,
Last Tango in Paris) new film, The Dreamers, is a film with enough
interpersonal psychosexual interplay to fascinate any Lacanian. Set
in Paris during the events of May 1968, the film revolves around the
relationship of three young film-buffs: Matthew (Michael Pitt), an American
student; and twins Isabelle (Eva Green) and Theo (Louis Garrel).
The script is well written, the cinematography is excellent, and the
soundtrack is stunning, featuring Bob Dylan and Jimmy Hendrix. The acting
is top-notch, featuring a particularly good performance from Eva Green.
The films brash sexuality has earned it an NC-17 rating, as the
plot intertwines around canonical film references and the sexual games
the trio plays in the twins home while their parents are in country.
Despite the interesting psychological character development that arises
from the films sexuality, the most interesting aspect of The
Dreamers is its political stance. Primarily through verbal exchanges
between Matthews liberalism and Theos Maoism, we are given
a complex portrait of the interplay between liberal and radical politics
which culminate in the films exhilarating and explosive final scene.
It then becomes quite clear that Bertolucci has not, as some reviewers
think, given up on the politics of collective action.
Theres something going on out there, Matthew says.
While he is not sure what is happening, he is certain that it must be
important. Bertolucci makes it a point that the characters, all so fond
of the movie screen, screen themselves from the world in various ways.
Walking by a television on the street as Isabelle and Matthew leave
a cinema, President De Gaulle is seen giving a speech regarding the
events that are shaking the foundation of France. In an effort to shield
their dream world from this invasive and challenging reality, Isabelle
says, turning away, Theo and I never watch television. We are
purists. The purest of the pure. Upon turning, they are shocked
to see an enormous and ghostly barricade that has been erected and apparently
abandoned in the street.
There is always a tension between the decadent escapism of the trio
inside their apartment and the political activity of the city outside,
and it is not until the street comes through the window
that the three finally face the reality of the struggle that is waging
all around them. Finally, the choice between self-preservation in the
name of non-violence or revolutionary action separate this group that
was only moments before, quite literally, intertwined. As the group
moves to the barricades to face the lines of De Gaulles police,
Matthew exclaims, This is wrong. This is violence!
This is not violence, Theo responds, this is wonderful.
The Dreamers is a film based upon tension, upon contradiction.
Sexual enjoyment and love. Reactionary and emancipatory violence. Escapism
and struggle. And always there is the question of freedom, which Bertolucci
answers with something wonderful.
The Dreamers is a movie for anyone, though it may make many people
somewhat uncomfortable. In these times, however, a little discomfort
is a good thing.
By Lisa Yun Lee
Apr. 14 Ivory-tower feminism has a bad rap: Its
perceived as convoluted and theoretical, mired in jargon and intellectual
elitism and, frankly, a big bunch of mumbo-jumbo. Compared to the
vigorous, policy-changing, dynamic nature of grassroots activism,
theory seems constipated, static, and pretentious. Clearly, the womens
movement is advanced more by volunteering as an escort at an abortion
clinic or participating in the exuberance of the March for Womens
Lives in Washington than by spending an agonizing afternoon deciphering
paragraph-long sentences.
Or is it?
Disdain for academic feminism reached its apogee during the 1998 Bad
Writing Contest. Sponsored by The Journal of Philosophy and Literature,
this annual (but now defunct) tongue-in-cheek competition recognizes
the most stylistically lamentable passages found in scholarly
books and articles published in the last few years. When Judith
Butler, feminist theorist and professor at the University of California,
Berkeley, won the contest that year, it was more fuel for conservative
attacks on feminist scholarship and the abandonment of traditional
standards and subjects at universities.
It is hard to defend Butlers first-prize passage, from an article
published in the scholarly journal Diacritics, as anything but confounding
and opaque:
The move from a structuralist account in which capital is understood
to structure social relationships in relatively homologous ways to
a view of hegemony in which power relations are subject to repetition,
convergence, and rearticulation brought the question of temporality
into the thinking of structure, and marked a shift from a form of
Althusserian theory that takes structural totalities as theoretical
objects to one in which the insights into the contingent possibility
of structure inaugurate a renewed conception of hegemony as bound
up with the contingent sites and strategies of the rearticulation
of power.
However, bad writing too often is equated with difficult
and complex writing. Language is never a simply neutral vehicle for
a message; it is a battleground and a site of power, resistance, and
struggle. Feminist theorists long have challenged language through
use of unconventional syntax, bad grammar, and neologisms in order
to convey something new and disquieting.
Examples are legion from the simple act of replacing the pronoun
he to she in a sentence (unveiling the hidden
agendas of language), to radical theologist Mary Dalys observation
that therapist can be hyphenated to be read as the-rapist
(symbolically pointing to how psychoanalysis attempts to portray female
anger and rebellion as hysteria), to the renaming of the word history
to herstory (reflecting how women have been written out
of the main historical narrative). Feminist language-play can be hysterical,
yes, but also rich and revealing.
But many feminists have questioned these efforts. After the Bad Writing
Contest debacle, it was Martha Nussbaum, a well-regarded feminist
philosopher and professor of law and ethics at the University of Chicago,
who followed up with a long attack on Butler in The New Republic.
Her piece exposed a thorny debate within feminism and the womens
movement: theory vs. practice.
It is difficult to come to grips with Butlers ideas, because
it is difficult to figure out what they are, Nussbaum writes.
Hungry women are not fed by this, battered women are not sheltered
by it, raped women do not find justice in it, gays and lesbians do
not achieve legal protection through it.
It seems reasonable to question what it means to be socially
relevant, as if we all agree on what this rather fuzzy notion
entails. But making the production of knowledge subordinate to how
useful and practical it can be is extremely shortsighted. We should
not limit the idea of social transformation to immediately identifiable
social justice goals. Readily obvious political ends may not unleash
the imagination that is required for true liberation. Even as we need
to have marches on Washington, develop grassroots strategies for coalition
building, and push for policy reform, we also need conceptual tools
to battle sexism and oppression.
By examining some of the thinkers working in the Ivory Tower, we can
see that their accomplishments and influence illustrate the fluidity
between whats perceived as a rigid divide between theory and
practice. These women provide a much-needed service by unleashing
a radical imagination.
Judith Butler
A professor of rhetoric and comparative literature at Berkeley, Butler
is most famous for promoting the notion of performativity
and for rousing what she calls gender trouble. Unsatisfied
with the entrenched feminist description of the social construction
of gender, Butler calls upon the main metaphor of drag.
Butler argues that all of us enact behaviors associated with masculinity
and femininity, and in this way gender is a kind of performance or
disguise. Butler suggests that, unlike theatrical acting, there is
no stable actor or subject that goes about performing gender roles.
It is the very act of performing that constitutes who we are.
Butler argues that even as feminists helped to reject the idea that
biology is destiny, they continued to assume a gendered identity built
upon the essential nature of male and female sexed bodies. She proposes
a different kind of politics not based on a utopian future
but on everyday subversive actions that promote gender trouble.
(Thus, the title of her most influential work, Gender Trouble,
published in 1990.)
She suggests it is the subversion, mystification, confusion, and proliferation
of many genders not just male and female but everything in
between that would be really liberating. The useful concept
of performativity has gone beyond how we think about gender to help
us understand oppressive forms of identity, such as nationality.
Gayatri Spivak
The Avalon Foundation Professor of the Humanities at Columbia University,
Spivak was born in Calcutta in 1942 and belongs to the first generation
of Indian intellectuals after independence. She is most well-known
for her work around the Subaltern, a stand-in for Antonio
Gramscis proletarian. The Subaltern refers to the
most dispossessed and disenfranchised, without a voice in society.
In her 1985 article Can the Subaltern Speak?, Spivak examines how
people working for social change unintentionally reinforce political
domination, economic exploitation, and cultural erasure, the very
same tactics employed by colonial empires.
Those in power speak for the Subaltern and allow the dispossessed
to form a dependence on Western intellectuals rather than allowing
them to speak for themselves. Spivak also points out how Westerners
are guilty of assuming a cultural solidarity among groups of ethnic
people. Instead, Spivak suggests, we should work against what is keeping
the Subaltern down and out, thereby allowing them to speak for themselves.
Spivak is a guerilla-strategist who employs Marxist, feminist, post-colonialist,
and deconstructionist methods. Her writing echoes Jane Addams
recognition that social progress depends as much on the process
through which it is secured as the goals.
Many of the current debates about the audacious character of US imperialistic
policies and justifications for regime change are informed by Spivaks
insights. For example, when the United States presents itself as the
savior of oppressed women under the Taliban, it uncomfortably revisits
the colonial agenda, or in Spivaks pithy formulation: White
men saving brown women from brown men.
Sandra Harding
A professor of Social Sciences and Comparative Education at UCLA,
Harding was one of the first to raise questions about scientific objectivity
and argue that it should be replaced with a feminist standpoint.
This position argues that the world is socially constructed and made
up of multiple realities, and challenges scientists to conduct research
from the standpoint of the subjected.
She shows how when one severs the ties to value neutrality it makes
it possible to insert responsibility and accountability, missing from
the puzzle of why science has up to now been used mainly as a tool
of power, as opposed to fighting it.
Harding challenges the scientific community to pay attention to who
generates the research questions and how scientists conduct research.
Her work helped pave the way for the required inclusion of women and
minorities in clinical research. It was only in 1993, with the National
Institutes of Health Revitalization Act, that this requirement could
be legally enforced.
Catherine A. MacKinnon
A professor of law at the University of Michigan, MacKinnon moves
with ease among her jobs as lawyer, teacher, writer, activist, and
expert on equality. Since the 1970s MacKinnon has been on the frontlines
arguing that sexual harassment is a form of sex discrimination. Working
with Andrea Dworkin, she also conceived of and wrote controversial
ordinances recognizing pornography as a violation of civil rights.
MacKinnon points out the constitutional conflict between First Amendment
concerns and the Fourteenth Amendment Equal Protection clause. MacKinnon
argues that freedom of speech allows more powerful speakers to dominate.
In 1996s Only Words, she links pornography and hate speech,
arguing that both enact and incite abuse. Like the burning of a cross
on a lawn, MacKinnon writes, pornography is a threatening and intimidating
act of violence and subjugation. Unlike speech that communicates an
idea, thought, or emotion, pornography legitimates and enforces widespread
criminal behavior, such as rape and beatings. As an example, she argues
that no one can say kill to a trained attack dog and escape
prosecution for the ensuing attack on the grounds that she was only
talking.
MacKinnon also popularized the controversial notion that there are
multiple ways of being coerced. Being forced at gunpoint to take part
in a pornographic film, for example, is just the more extreme end
of a spectrum of coercive means one that also includes economic
coercion that forces women to take part because of a lack of financial
options.
Critics see Mackinnons work as prelude to so-called victim-feminism,
where women lack agency for self-determination.
More recently, MacKinnon represented Muslim and Croat Bosnian women
survivors of Serbian genocidal sexual atrocities and
won $745 million in damages from a New York jury. Her arguments pioneered
the recognition of rape as an act of genocide under international
law. (See Kadic v. Karadzic.)
Dorothy Roberts
Kirkland and Ellis Professor at Northwestern Law University, Roberts
has shown there is a deeply embedded racism in one-dimensional interpretations
of reproductive rights. While white women have been fighting for their
freedom from compulsory motherhood, black women have had to demand
their right to procreate at all.
In her brilliant book, Killing the Black Body, she gives a
historical overview of black motherhood, beginning when children born
to slaves were given to their owners, through current policies that
put family caps on welfare recipients. She effectively proves that
curtailing black motherhood is part of a historical narrative and
chastises the womens movement for failing to see how distributing
Norplant and Depo-Provera to poor women of color can be oppressive.
Roberts also takes on the fertility industry, which caters to middle-class
white couples, reporting that when black couples go to fertility doctors
they are heavily pressured to adopt. She notes the contradiction of
a society that celebrates the births of seven children to a white
couple resulting from fertility technologies yet refuses to pay the
expenses for additional child born to welfare mothers.
The influence of Roberts work on race and reproduction is clear
in the organization of the March for Womens Lives, which began
with controversy over the inclusion of women of color and resulted
in serious coalition building and a change from its previous name,
March for Choice.
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