No. 300, Oct. 14 - 20, 2004

SECCIÓN EN ESPAÑOL

MEDIA WATCH





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Film on deforestation censored





Film on deforestation censored

By Marcela Valente

Buenos Aires, Argentina, Oct. 8 (IPS) — The manager of a cinema owned by local authorities in the northeastern Argentine province of Salta cancelled the screening of a film on the damages caused by deforestation in neighboring Chaco province.

According to Salta filmmaker Alejandro Arros, the decision was based on the fear that showing the film could be interpreted as a hostile act against similar environmental policies followed by the local government.

Arros told IPS that his production company had invited his colleague Alejandro Fernández Mouján to show Sólo se escucha el viento (Only the Wind Can Be Heard), a short documentary that graphically exposes the impact on the forests and local residents of Chaco of the bulldozers used to clear farmland for planting transgenic soy.

Arros had invited Fernández Mouján to attend the Oct. 6 showing that was cancelled. He was to participate in a discussion with the audience after the documentary, to talk about the effects of deforestation in Argentina’s entire northeastern region.

“They told me not to go because my film would not be shown due to pressure from the (provincial) government,” Fernández Mouján explained to IPS in a telephone interview from Chaco, where his film on the destruction of forests was recently presented to the provincial legislature.

“Many people who were planning to go were indignant, and told me so in e-mail messages,” he added.

The filmmaker already showed the documentary in Buenos Aires and Villa María, a farming town in the central province of Córdoba where genetically modified soybean crops are expanding at the expense of traditional crops and cattle-raising activities.

In the film, “I show the effects of monoculture agriculture,” said Fernández Mouján.

The Salta government, headed by Governor Juan Carlos Romero, vice-presidential running-mate on former president Carlos Menem’s ticket in 2003, successfully pressed the provincial legislature to strip a 22,000-hectare nature reserve of its protected status this year.

The reserve was created in the 1990s, during Romero’s previous provincial administration, to preserve the native forest and endangered species of flora and fauna. The reserve is home to subsistence farmers and Wichí Indians, who survive on what they can gather and hunt in the forest.

In the past few years, increasingly large extensions of land in Argentina have been cleared to make way for soybeans, of which this country is the world’s third-largest producer. It is also the second largest producer of transgenic crops, mainly soybeans.

Environmental and local grassroots organizations, with the support of members of the academic community, filed lawsuits to block the decision. Since the cases are still pending, the new “owners” of the land in the reserve have not been able to go ahead with clearing the forest.

The pressure of the legal action and protests, combined with the declining price of soybeans, prompted one of the agricultural producers to pull out of the business deal.

Fernández Mouján, said his film shows the desperate situation of the local indigenous people, their land destroyed and their belongings strewn along the road.

Arros explained that actress Ana María Parodi, who selects the films to be screened in the Auditorium cinema, which belongs to the Salta provincial Ministry of Social Welfare, cancelled the showing of Sólo se escucha el viento on Oct. 5, the day before it was scheduled to run.

Arros’ production company had hired the Auditorium to show the film, as part of a broad range of activities opposed to the sale of the nature reserve in Salta.

Parodi canceled after Arros sent her a small publication in which the documentary was advertised in such a way that it likened the deforestation in Chaco to what was happening around the nature reserve in Salta.

“I don’t have any evidence that she was threatened by the government, but she says the showing of the film had turned into a political event and that she feared reprisals from the (provincial) authorities, like the loss of her job,” said the filmmaker.